Jan 23

When James goes out to give Reason presentations and demos, he gets one question more often than anything else: “How do I hook up this very cool Vocoder that makes no sound when I try to use it?” Vocoders are neat but they don’t work the way we’re used to synths working at first glance. There are no oscillators or LFOs… there are instead Carriers and Modulators… bands… and other weirdness. But this week James breaks it all down simply and he’ll have you getting in touch with your inner-robot in no time!

Duration : 0:8:6

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Nov 20

Visit: http://www.DubTurboMix.com

When you are looking to make your own rap music online and you do not know where to begin it can be difficult to find a complete solution that will do everything for you.

For instance you run into a few problems such as where am I going get some good quality sound from?

How am I going put them together into a tune?

Well when you start looking into it and all the components that go into proper music production it can work out to be very expensive with all the equipment that you will need!

Well I have some good news!

http://www.DubTurboMix.com has been released and is a complete solution in the form of the software package that gives you access to thousands of beats that you can use, and put together with the software!

In fact having looked at it is a complete DAW (digital audio WorkStation) so you can do everything online that you could do in your own recording studio!

It is the perfect choice for beginners because the video tutorials allow you to get up and running quickly and make your first track in under an hour.

You can then go into more complex components of the software, import your own sounds, and start adding some awesome affects.

As well as that once your musical creation is completed you can burn it on to CD and take it with you!

The software has been getting some rave reviews and provides a complete solution for anybody that is looking into making their own rap music, will come to think of it any sort of urban music!

Check out the awesome video examples today and start making your own tunes fast

Visit: http://www.DubTurboMix.com

Duration : 0:4:39

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Oct 23

In the third episode, James Bernard gives you even more tips on creating dub step wobble bass sounds in Record and Reason.

Get the files for this tutorial here: http://www.propellerheads.se/stuff/JB3.zip

Duration : 0:6:26

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Oct 6

Live Sampling is coming in Reason 5 and since we will all be sampling like madmen I wanted to cover some NN-XT sampler tips and tricks. This week I dig in my own toolbox of production tricks when I am using the NN-XT. Ever wonder how to get a stutter or glitch edit on a vocal? Maybe you want to play the sound of a TR-808 kick drum as a bassline… all this and more is covered in detail in this week’s episode.

Duration : 0:9:56

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Oct 6

Learn how to use the mixdown export feature in this free online Reason 3.0 music recording software tutorial video.

Expert: Jerus Arte
Bio: Jerus Arte has been a computer technology businessman for over ten years.
Filmmaker: Nili Nathan

Duration : 0:2:44

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Jun 27

http://www.facebook.com/dillonpearcemedia if you have any questions or suggestions about my videos.

Please watch in HD with Annotations on.

My Website: http://www.dillonpearce.com

Here is a behind the scenes look at the editing workflow that I use for editing my music videos. I have come up with a way of editing band music videos using multiclip in Final Cut Pro so you can watch and switch between the angles in real time. This makes editing the video more efficient and so that you can see all the angles together to find the best one to use.

Before editing I convert all my footage into ProRes 442 since this is a native file for Final Cut Pro and allows real time playback even with some effects on. Converting it would dramatically help when using multiclip since each of the video files will need to be playing at the same time and this format will help the multiclip run smoothly.

Groundbreaking Music Video:
I used 3×1000 watt photography lights http://tinyurl.com/4wc4awa as well as 1 work floodlight diffused using a 3-in-1 reflector diffuser. The music was played through my Logitech Computer Speakers hooked up to my phone. The camera was hooked up to my Macbook Pro which I used to monitor and control the camera (focus and start/stop recording) using Canon EOS Utility software. The kit 18-55mm lens for my Canon T2i was used.

I Love You I Hate You
The same lighting as groundbreaking was used as well as 2 more work floodlights. We hired out a place in Docklands called ’shed4′ and spent 8 hours filming there. I used my Canon T2i with primarily my 50mm f1.4 lens but for the whole band shots I used the 18-55mm kit lens. For the beach scenes we occasionally used reflectors with the gold tinted side. I used the jag35 X Runner shoulder support with the Monitor X.

If you have any questions about the filming or editing workflow I used please let me know and I will answer them when I read them.

Thanks for watching! Please rate & comment.

Duration : 0:5:43

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Jun 10

Songs created using Cubase Check this out:

http://www.reverbnation.com/simonpotts

http://itunes.apple.com/ca/artist/the-city-of-heroes/id355821413 Multitrack recording. Audio recorded in Cubase: http://itunes.apple.com/ca/album/invisible-man/id355821411 How to record audio music microphone using cubase LE4 recording studio software.

Duration : 0:4:57

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Apr 20

For the past 10 years music producers, beat-makers, sound designers, and game composers have made Reason’s highly creative environment a mainstay of their toolbox. All the while Reason has become a mainstay of the education process as well.

To see how Propellerhead Software’s Reason 5, Record 1.5, and Recycle are being taught in the classroom, we visited some top institutions around the world. These educators let us into their classrooms and studios to discuss how they’re leveraging the power of the Reason rack to teach not only in-the-box desktop audio production, but hardware-based studio production and even studio wiring/design as well.

Duration : 0:6:33

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Apr 6

If you’ve made it this far into Synth School without dropping out or changing your major to something less technical, then congratulations. You’re nearly ready for graduation day. Today we’ll be picking up where we left off with Thor’s oscillator types, namely the multi-oscillator and the noise oscillator. There’s a lot to these simple looking modules! From there we’ll move over and take a look at the filter sections in Thor and I’ll introduce you to the semi-modular routing buttons which help move signals through Thor.

Duration : 0:11:26

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Mar 23

Synth School enters its final and most advanced device starting this week. Strap in and get ready because we’re about to tackle the Thor Polysonic Synthesizer. Thor is called “polysonic” because it offers a smorgasbord of various oscillator types, filter types, and signal routing options.

This week we’ll be focusing on the first major oscillator types in Thor. Each oscillator has a specific synth technology behind it and each one has a particular sound that will be suitable for different uses. If you’ve found yourself relying on presets for Thor or if you tend to go straight to the analog oscillator because it’s familiar to you, you’ll definitely want to get to know these other oscillators. They’ll expand your sonic palette and ramp up your sound design chops.

Duration : 0:10:4

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