For more info, visit http://www.fullcompass.com/brand/ABL.html
Find what you’re looking for:
1. 0:34 Groove Engine
2. 1:21 Warping Engine
3. 1:53 Looper
4. 2:59 New Effects
5. 4:15 Workflow Enhancements
6. 5:40 What’s New in Ableton Suite 8 — World Class Sound Library
Ableton Live 8 Music Recording, Production and Creation Software Overview from Full Compass Systems.
Ableton Live is about making music; for composition, songwriting, recording, production, remixing and live performance. Live’s nonlinear, intuitive flow, alongside powerful real-time editing and flexible performance options, make it a unique studio tool and a favorite with live performers. If you’d rather be “making music” than just “using music software,” Ableton Live is for you. Live 8, the latest version, includes a wealth of new techniques and improvements with a new groove engine, revamped warping, live looping, new effects, crossfades in the Arrangement View and a reworked MIDI editor.
Session View
Live is the only music production software with the “Session View”: a unique grid for recording and playing musical ideas and phrases. The Session View is non-linear, so you can record and play back your ideas in any order you want. When you’re working on a new track, this is a smart, flexible way to write and record. If you’re performing music live, it gives you complete flexibility and freedom to improvise.
Arrangement View
Live also has a second view: the “Arrangement View,” a complete music production environment. This is the linear counterpart to the Session View and is well-suited to “traditional” recording, arranging and mixing. These two views interact with one another, each with its own strengths and intricacies. Both views are based on the single principle of creative, intuitive music-making.
Uninterrupted creative flow
In Live, you never have to stop the music. Record audio and MIDI on the fly, drop in loops and samples, add effects and swap sounds without ever hitting the stop button: everything happens in real time. You’re free to improvise and the computer actually becomes a musical instrument—an expressive and creative tool, perfectly at home on stage or in the studio.
Beats made easy
Live’s unique Drum Rack combines drag-and-drop simplicity in a familiar pad-style interface. Each of the 128 drum pads can have its own instrument or sample plus effects. Slice beats, loops or REX files to MIDI for additional control options and use the new groove feature (which includes grooves from the legendary MPC and SP1200 machines) to add swing to your beats.
Creative expression for DJs
Mix and match tracks and loops automatically, remix on the fly, capture audio loops in real time from decks and other external sources, incorporate your own productions into the mix, and much more. Whether it’s the centerpiece of the DJ rig or just a creative sidearm, Live gives DJs entirely new worlds of creative expression.
Looping with Live
Ableton’s Looper gives you classic sound-on-sound looping without the limitations of a hardware device. Looper is set up for remote operation, so you can record, overdub, undo and more without touching the computer.
Totally compatible
Live works seamlessly with controller hardware and assigning custom MIDI controls is simple. Live supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files, VST and AU effects and instruments. Live can handle REX files and runs as a ReWire Master or Slave, so it works nicely alongside other DAWs like Pro Tools, Logic, Cubase or Reason. And if you have a multicore or multiprocessor system, Live supports that, too.
Duration : 0:9:40
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Technorati Tags: ableton, arrangement view, compatible, creation, crossfades, DAW, dj, drums, effects rack, full compass, GearCast, groove engine, guitar, instrument, Live 8, live looping, live performance, mac, MIDI, music, percussion, production, recording, remixing, samples, session view, software, synth, warping, windows
When James goes out to give Reason presentations and demos, he gets one question more often than anything else: “How do I hook up this very cool Vocoder that makes no sound when I try to use it?” Vocoders are neat but they don’t work the way we’re used to synths working at first glance. There are no oscillators or LFOs… there are instead Carriers and Modulators… bands… and other weirdness. But this week James breaks it all down simply and he’ll have you getting in touch with your inner-robot in no time!
How to record audio in Ableton Live.
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In the third episode, James Bernard gives you even more tips on creating dub step wobble bass sounds in Record and Reason.
Live Sampling is coming in Reason 5 and since we will all be sampling like madmen I wanted to cover some NN-XT sampler tips and tricks. This week I dig in my own toolbox of production tricks when I am using the NN-XT. Ever wonder how to get a stutter or glitch edit on a vocal? Maybe you want to play the sound of a TR-808 kick drum as a bassline… all this and more is covered in detail in this week’s episode.
Go to http://bit.ly/tt1pr1 to start producing your own beats.
http://createyourownbeatonline.org
just a short loop with some generators in the ORION software studio to